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  • Unstable -
    Computer graphic installation Images of stars and galaxies are displayed as pixels of light whose structure is randomized by computer processing. These are projected onto a large curved metal sheet whose galvanized surface reflects the light to
  • Vanitas ( in a Petri dish), a series of digital photographs bringing the concept of vanitas into the 21st century. In prior centuries, vanitas paintings warned against the excesses of material culture. Expressing the futility of life and its
  • Deriva -
    Deriva is a participative media performance which takes place on public space and can be followed live, through a web browser, anywhere in the world. A smartphone, attached to a bunch of helium filled balloons, broadcasts out of control images and
  • Charzyńska, Jadwiga and Ryszard W. Kluszczyński and Wolfgang Strauss and Monika Fleischmann. VIDEO: The opening of the Performing Data exhibition by Monika Fleischmann & Wolfgang Strauss in Laznia CCA in Gdańsk, Poland
  • Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, and spawn arrays of
  • Water Lily Invasion -
    As global water levels and temperatures rise, plants and animals are mutating to adapt. Strange new creatures are arising at the interstices between plant and animal, questioning and transgressing the boundaries of what is considered to be reactive
  • Video Videotape for one screen, 60 min., sound By using the own body as interface, the video work montréal2000 (created in the year 2000) gives continuity to the artistic strategy of implementing new forms of perception by intertwining real and
  • URBAN SCREENS conference at Cornerhouse + media art events in public space Manchester, UK, October 2007
  • On what the temporal understanding of space and the play of memory
  • Legrady, George. New Screen Media In The Dynamics of Real and Virtual Space Audience Dialogue, edited by Martin Rieser and Andrea ZappKarlsruhe, London: ZKM and BFI London, 2002.