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Portrait of Eve Clone
2010
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2010
I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the
The Peony Pavillon
2001
Xiangzu, Tang. The Peony Pavillon. Beijing: Foreign Languages Press, 2001.
Sommerer, Christa, Mignonneau, Laurent, Lecture at IEEE Symposium on Visual Languages (VL'99), Waseda University, International Conference Center, Tokyo, Japan
1999
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1999
Event: Sommerer, Christa, Mignonneau, Laurent, Lecture at IEEE Symposium on Visual Languages (VL'99), Waseda University, International Conference Center, Tokyo, JapanInstitution: Waseda University International Conference CenterComment:
Erkki Huhtamo
Erkki Huhtamo works as a professor at the University of California Los Angeles (UCLA), Departments of Design Media Arts, and Film, Television, and Digital Media. He received his Ph.D. in cultural history from the University of Turku, Finland.
Featured Artist Scenocosme
12/2014
.. known for their inimitable poetic language of visualization and sonification of interrelations between humans and nature ..
Featured Artist Giselle Beiguelman
04/2015
.. Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums..
Geometria do Êxtase
1982
In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate
Insect.Desperto
1995
Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
Quelques remarques sur la mise en œuvre de l’art participatif for "Le petit livre rouge",
1999
Morice Anne Marie. Quelques remarques sur la mise en œuvre de l’art participatif for "Le petit livre rouge",. Montpellier, France: Frac Languedoc-Roussillon, 1999.
How are you?
1998
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2010
Event: How are you?Institution: FRAC Languedoc RoussillonComment:
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