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  • Sylvia Eckermann
    Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Der freie Klang zwischen Schweigen, Geräusch und Musik
    Weibel, Peter. Der freie Klang zwischen Schweigen, Geräusch und Musik In Ars Electronica 1987, edited by Gottfried Hattinger and Peter Weibel, 8-17. Linz: Druck- und Verlagsanstalt Gutenberg, 1987.
  • Pluriversum der Plastik. Modell und Metaphern, Microchips und Codes des Raums
    Weibel, Peter. Pluriversum der Plastik. Modell und Metaphern, Microchips und Codes des Raums Durch 1 (1987): 3-14.
  • Box Man
    Weibel, Peter and David Felder and Henry Jesionka. Box Man In Ars Electronica 1987: Der Freie Klang, edited by Karl Gerbel, 158-161. Linz: Druck- und Verlagsanstalt, 1987.
  • Virtual Interface Environment for TelepresenceApplications
    Berger, J. D., ed. Virtual Interface Environment for TelepresenceApplications. : 1987.
  • Nacho Frades
    In my work I want to describe worlds that only exists in my mind, I want to explore this worlds created by the inner mind, they are mainly landscapes of lonely places, where I am the only person in the work, the person that sees them, the observer.
  • Jack Ox
    Jack Ox is a media artist working on visualisation of music for more than 25 years. She is Professor at The University of New Mexico and Co-director of SARC (Science Art Research Collaboration). She had been in the editorial board of Leonardo since
  • New Techniques for the Creation of Artificial Realities
    Allen, Rebecca. New Techniques for the Creation of Artificial Realities In Computer Images and Hi-Vision - CG '88, Tokyo: 1987.
  • Digital Visions: Computers and Art
    Goodman, Cynthia. Digital Visions: Computers and Art. New York: Harry N. Abrams, 1987.
  • Simulation: Digitization, Interaction: The Impact of Computing Arts
    Penny, Simon. Simulation: Digitization, Interaction: The Impact of Computing Arts Artlink 7, no. 3/4 (1987).
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