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Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.

Gunning, Tom. Never Seen This Picture Before; Muybridge in Multiplicity In Time Stands Still: Muybridge and the Instantaneous Photography Movement, edited by Phillip Prodger, 222-272. Oxford: Oxford University Press, 2003.

Kluszczyński, Ryszard W.. Screens/Images/Worlds_Transformations of Seeing Art Inquiry V (2003): 87-104.

Penny, Simon and Bill Vorn. Bedlam and Other Robotic Art Projects In Subtle Technologies 03, edited by Jim Ruxton and Tania ThompsonUniversity of Toronto, Toronto: 2003.

Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.

Nadarajan, Gunalan. Spectres of the Animal: The Transgenic Works of Eduardo Kac In The Eighth Day: The Transgenic Art of Eduardo Kac, edited by Sheilah Britton and Dan Collins, 44-50. Tempe: The Institute for Studies in the Arts, Arizona State

Beloff, Zoe. The Influencing Machine of Miss Natalija A. Rhizomes 6 (Spring 2003).

Hegedüs, Agnes. My Autobiographical Media History - Metaphors of Interaction, Communication and Body Using Electronic Media In Women, Art and Technology, edited by Judy MalloyCambridge, MA: MIT Press, 2003.

Domingues, Diana. Le CyberArt et La Magie du Cyberspace In Les défis du cybermonde, edited by Hervé FischerQuebec, CAN: Presses de l'Université du Québec, 2003.

Kutschat Hanns, Daniela. O Corpo Reinventado In Comunicacao and Tecnologia, edited by Urbano Nojosa and Wilton Garcia, 131-142. Sao Paulo, Brazil: Nojosa Edicoes, 2003.