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Tom Corby. Visualizing the news: mutant barcodes and geographies of conflict Leonardo: Art Science and Technology (2014): 84-85.

Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).

VIOLANTE, Alessandro. FLUXES #2 – Intervista Monika Fleischmann & Wolfgang Strauss Interview FLUXES#2, FLUX. Musical art, conjunct of sound. FLUXES#2, FLUX. Musical art, conjunct of sound.

Zellen, Jody. If (in conjunction with the exhibition "Transitions"). Santa Monica: dnj Gallery, 2013.

Rowlande, Wade, ed. Connected Intelligence: The Arrival of the Web Society. London: Kogan Page, 1998.

Benayoun, M.. The Nervous Breakdown of the Global Body, an Organic Model of the Connected World Futur en Seine 2009 (2009).

Benayoun, M.. The Nervous Breakdown of the Global Body, An organic model of the connected world http://www.academia.edu/35783157/The_Nervous_Breakdown_of_the_Global_Body_An_organic_model_of_the_connected_world.

VIOLANTE, Alessandro. FLUXES #2 – Intervista Monika Fleischmann & Wolfgang Strauss Interview FLUXES#2, FLUX. Musical art, conjunct of sound. FLUXES#2, FLUX. Musical art, conjunct of sound.

Shedhalle Zurich + Swiss federal office of culture BAK and Anke Hoffmann and Andreas Broeckmann and Sibylle Omlin and Yvonne Volkart, ed. Connect - art between media and reality.. Zurich: Verlag für moderne Kunst Nürnberg, 2011.

Fisher, Scott S.. Virtual Environments: Personal Simulations and Telepresence In Virtual Reality: Theory, Practice and Promise, edited by S. Helsel and J. RothWestport, Connecticut: Meckler Publishing, 1991.