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Berlot, Uršula. Bio-organic Systems. In: MUNZ, Thomas (ed.). Transmediale 08: Conspire: Festival for Art and Digital Culture Berlin Berlin: Kulturprojekte Berlin GmbH (2008).

Bokhorov Constantin. « D’où venons-nous ? Qui sommes-nous ? Où allons-nous ? », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.

Ascott, Roy. Estética de la Tecnoética: El arte y la construcción de la realidad In Arte Virtual Realidad Plural., edited by Karin Ohlenschläger, 33-44. Monterrey, Mexiko: Museo de Monterrey, 1997.

Iglesias, Ricardo. Robots femeninos y arte electrónico. ISBN: 978-84-8381-068-2 th ed.Madrid: Lengua de Trapo: In: "De Galatea a Barbie: autómatas, robots y otras figuras de la construcción femenina". Various Authors, 2009.

Weintraub, Annette. Artifice, Artifact, The Landscape of the Constructed Digital Environment Leonardo 28, no. 5 (1995): 365-366.

Vesna, Victoria and James Gimzewski. The Nanomeme Syndrome: Blurring of Fact and Fiction in the Construction of New Science Technoetic Arts journal (May 2003).

Ascott, Roy. Art and Telematics: Toward the Construction of New Aesthetics. Tokyo: NTT, 1998.

Ascott, Roy. Technoetic Aesthetics: Art and the Construction of Reality In Arte Virtual Realidad Plural, : 1997.

Penny, Simon. Consumer Culture and the Technological Imperative: The Artist in Dataspace In Critical Issues in Electronic Media, edited by Simon PennyAlbany, NY: Suny Press, 1995.