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The Chapman Gallery
The Cinema Effect 2005

Cubitt, Sean. The Cinema Effect. Cambridge: MIT Press, 2005.
The cinematic floor 2011 - 2011

The cinematic floorArtist: Diana DominguesComment:
The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology 2022

DOMINGUES, DIANA MARIA G. The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology In For a digital imagination with Edmond Couchot. Hybridizations between the arts,...
The Cleveland museum of art
The Co-Opticon: Shared Access to a Robotic Streaming Video Camera 2003

Goldberg, Ken and Dezhen Song. The Co-Opticon: Shared Access to a Robotic Streaming Video Camera In ACM MultiMedia Conference, Berkeley, November 2003, Berkeley, CA: 2003.
The Colonisation of Cyberspace 1996

Penny, Simon. The Colonisation of Cyberspace In Media Art Perspectives, edited by Hans-Peter Schwarz and Jeffrey ShawKarlsruhe, Ostfildern-Ruit: ZKM and Hatje Cantz, 1996.
The Colors of L'viv/Lemberg 2018 - 2018

Event: The Colors of L'viv/LembergInstitution: ZWITSCHERMASCHINEComment:
The Coming and Going of Images 2000

Arnheim, Rudolf. The Coming and Going of Images Leonardo 33, no. 3 (2000): 167-168.
The Complex and Multifarious Expression of Digital Artand Its Impact on Archives and Humanities (in press) 2015

Grau, Oliver. The Complex and Multifarious Expression of Digital Art and Its Impact on Archives and Humanities (in press) In Digital Art, edited by Christiane Paultba: 2015.

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