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OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.

Willis, Holly. Sweet´N`Sour Afterimage 20, no. 10 (May 1993).

Tom McCormack. Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb http://www.movingimagesource.us/articles/corroding-the-machine-20120406 [Moving Image Source 6 April 2012].

aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.

Benayoun, M.. So.So.So. Somebody, Somewhere, Some Time Theories and Documents of Contemporary Art, A Sourcebook of Artists’ Writings (2012).

Jung, Patricia and Helen Varley Jamieson. “Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr. Germany: Open Source Press, 2005.

Kac, Eduardo. Photonic Webs in Time: The Art of Holography In New Media Technologies, edited by Ross Harley, 123-139. New South Wales, Australia: AFTRS, 1993.

Fuller, R. Buckminster. Education Automation. Carbondale, Edwardsville: Southern Illinois University Press, 1962.

krcf. Knowbotic Research The Dilemma: Naked bandit Transcoding Extra-territorialities, Floating Sovereignties and Non-publics keine genaue Jahresangabe.

Moscow Museum of Modern Art, ed. The History of Gender and Art in Post-Soviet Space. Moscow: MMOMA, 2010.