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Ciberantropologia e CiberAdão: o produtor digital e a adaptação do aparato tecnológico para a co-existência em espaços cíbridos
2007
DOMINGUES, DIANA MARIA G. Ciberantropologia e CiberAdão: o produtor digital e a adaptação do aparato tecnológico para a co-existência em espaços cíbridos VII Reunião de Antropologia Mercosul (2007).
Ciberadão: vida pós-humana e complexidade digital nas práticas transdisciplinares em arte e ciência
2008
DOMINGUES, DIANA MARIA G. Ciberadão: vida pós-humana e complexidade digital nas práticas transdisciplinares em arte e ciência Polêmica 23 (2008).
Ciberadão e a magia das cibercoisas pervasivas
2008
DOMINGUES, DIANA MARIA G. Ciberadão e a magia das cibercoisas pervasivas In In vivo, in vitro, in silício: ensaios sobre a relação entre arte, ciência, tecnologia e o sagrado, edited by Leila AMARAL and Amir GEIGER, 246-275. São Paulo: Attar, 2008.
Ciber@rt Festival
Ciber@rt
1999
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1999
Event: Ciber@rtInstitution: Festival Ciber@rtComment:
Chronotopia
2009
Chronotopia is a dance theater re-imagining of the one of the oldest Indian epic poems: the Tamil epic Silappatikaram. Attakkalari's multi-media dance production is an episodical journey, which explores the movement of five performers through a...
Chronoscape
2023
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2023
The totem consists of a clock mechanism, a monitor, and hidden video camera. It is a symbolic representation or embodiment of the concept of time and serves as a reminder of its flow, the impermanence of life or the cyclical nature of existence....
Chronopolis: Inhabiting Time
2004
Salter, Chris and Erik Adigard. Chronopolis: Inhabiting Time Loudpaper Magazine (June 2004).
CHRONOPOLIS
2002
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2003
Chronopolis consists of a 10 x 10 meter square floor-projected interface that visitors walk over. The computer generated interface displays days, hours, minutes and seconds grids over which four animated pictograms representing these time elements...
Chronic Rebus Generator
1989
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1989
A simple kinetic machine. the pages flip over continually. The red text reads: "These cloud capped towers, these gorgeous palaces..." (From the Prospero's epilogue, The Tempest, Wiliam Shakespeare.)
1
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1227
1228
1229
1230
(current)
1231
(more)
1471