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Weibel, Peter. Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst Die Welt (February 25th 2000): 34.

Kelly, Kevin. Genetic Images. When Computers Breed Art and Humans Direct the Flow of Fate, Startling, Alien Beauty is Born Wired Magazine 2.09 (September 1994).

Ascott, Roy. The Cybernetic Stance: My process and Purpose. In Visual Art, Mathematics and Computers, edited by Roger F. Malina, 135-142. London: Pergamon Press, 1979.

Brown, Paul. Metamedia and Cyberspace: Advanced Computers and the Future of Art, Technology and Creativity In Culture, Technology and Creativity, edited by Philip HaywardLondon: John Libbey and Arts Council, 1990.

Goodman, Cynthia. Digital Visions: Computers and Art. New York: Harry N. Abrams, 1987.

Klyce, Brig. Can Computers Mimic Darwinian Evolution? .

Kac, Eduardo. Negotiating Meaning: The Dialogic Imagination in Electronic Art In Proceedings of Computers in Art and Design Education Conference, edited by UK University of TeessideTeeside, UK: 1999.

Laurel, Brenda. Computers as Theatre. Amsterdam, NL: Addison-Wesely Longman, 1991.

Penrose, Roger. The Emperor´s New Mind: Concerning Computers, Minds, and the Laws of Physics. Oxford, UK: Oxford University Press, 1989.

Thie, Joseph A.. Computers in the Arts Computers and Automation 10, no. 9 (September 1961): 23-28.