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  • Ben Rubin
    Ben Rubin is a media artist based in New York City. In 1993 he founded EAR Studio and in 2007 Mark Hansen joined him as creative partner. He has a BSc in Computer Science from Brown University and received an MSc in Visual Studies from the
  • The Actual and the Imagined
    Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.
  • Techno/Cultural Identities: From Ships to GigaBits
    D'Agostino, Peter and David I. Tafler. Techno/Cultural Identities: From Ships to GigaBits In International Conference on Communication and Mass Media, Athens: ATINER, 2004.
  • Haunting the Movie
    Dove, Toni. Haunting the Movie In New Visions in Performance: The Impact of Digital Technologies, edited by Gavin Carver and Colin Beardon, 195pp.. Lisse: Swets and Zeitlinger Publishers, 2004.
  • Gregory Lasserre & Anais met den Ancxt - Scenocosme
    Gregory Lasserre and Anais met den Ancxt are two artists who work together as a duo under the name Scenocosme (www.scenocosme.com). They live in France. They develop the concept of interactivity in their artworks by using multiple kind of
  • Frank Schubert
    After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
  • Die Aspen Movie Map
    Wagner, Kirsten. Die Aspen Movie Map Paragrana. Internationale Zeitschrift für Historische Anthropologie 13 (2004): 43-47.
  • A Blinding Flash of Light: Photography between Disciplines and Media
    Tomas, David. A Blinding Flash of Light: Photography between Disciplines and Media. Montreal, CAN: Editions Dazibao, 2004.
  • Beyond the Image Machine: A History of Visual Technologies
    Tomas, David. Beyond the Image Machine: A History of Visual Technologies. London, New York: Continuum, 2004.
  • Digital Currents: Art in the Electronic Age
    Lovejoy, Margot. Digital Currents: Art in the Electronic Age. London/New York: Routledge, 2004.
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