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  • Char Davies is internationally recognized for pioneering artworks using the technologies of virtual reality. Originally a painter, she transitioned to digital media in the late-80s, becoming a founding director of the 3-D software company Softimage.
  • Corby, Tom and Gavin Baily. Extra-Ordinary Practices In Extra-Ordinary Practices: A Retrospective of British Media Art, , 53-64. Dresden: 2006.
  • Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.
  • Collection: Museum of Modern Art, New York. Csuri continued with this experimentation on other drawings, including one of a hummingbird in flight. Csuri produced over 14,000 frames, which exploded the bird, scattered it about, and reconstructed it.
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Mason, Catherine. Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society Page 57 (Summer 2004).
  • Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
  • is an artist, filmmaker and musician based in Glasgow. He studied printmaking at Duncan of Jordanstone College of Art and Design in Dundee. He creates cinematic collages that have often been linked to the British Free Cinema movement of the 1950s.
  • Choi, Deanne. Surrey Youth on display at bold interactive showcase Source Magazine British Columbia 13, no. 28 (October 2013): http://thelasource.com/media/vol13no28_English_lowres.pdf.
  • McLaren, Sylver. Artist puts Surrey on the map North Shore News, British Columbia, Canada (September 13, 2004 2004).