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  • Dal Farra, Ricardo. Balance-Unbalance: Transforming Paradigms (Art Environment) Leonardo 51, no. 2 (April 2018): 176-177.
  • 2010.04 -> 2010.08 EL PROCESO COMO PARADIGMA . LABORAL . GIJON . SPAIN [installation ADM /MLP v5] 2010.04 ENTRE TU Y YO . LA TABASCALERA . MADRID . SPAIN [Installation ADM /MLP v5] 2010.02 d-CLIC . GOETHE INSTITUT . DAKAR . SENEGAL
  • The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
  • The Body Remembers -
    Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
  • Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
  • The net jargon acronym BWPWAP – Back When Pluto Was a Planet is an expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the
  • Cadet, France. 10 places on "rue Paradis" In Art au paradis - exhibition catalogue, Marseille, FR: 2009.
  • Event: Mois Multi / festival international en arts multidisciplinaires et électroniques : Curator : Viviane ParadisInstitution: Recto-VersoComment:
  • Beyond Manzanar is an interactive 3D virtual reality environment, a metaphorical landscape that explores political scapegoating of ethnic populations in times of crisis. The historic experiences of Japanese Americans in World War II and the more
  • Paradise -
    "Olga Kisseleva’s project for the Musée Chagall, is formulated as an echo to the works displayed in the exhibition space but opens the proposition as it expands its reach. She takes illustrations from sacred books as does Chagall, but her intention