Archive Search

  • KALEIDOSCOPE video
    ... the people using the playing surface. This means the outcomes of this CMY-RGB framework are picked up and recorded in digital coding systems. The footage is displayed in pure RGB coding on the huge LED facade of the festival building. But before this...
  • Drama House
    ... in the construction of a narrative and the interplay between diverse informative sub-layers effected through the impact of digital, non-linear media. It also questions the very process of story telling and at the same time considers the way of audience...
  • Pins -
    ... layer between positive and negative space in which the materiality and surface form become tangible portals into the digital world. The display component of Pins comprises a densely packed array of discrete nodes operating in harmony as a...
  • Look Up Kyoto
    ... sizes and proportions, providing dramatic perceptual shifts in scale and form as the sequence of images unfolded. The digital-image processing techniques used to create transitions between these images and the locations they presented amplified the...
  • Making of Eve Clone Documentation I/1-10 Head and Hands -
    ... is still highly similar with his manuscript keeping signs of computer software which I design that in purpose as contrast of digital file and manuscript document. In the last print of both head and hand, the upper document shows the metallic-colored forming...
  • Tracey M. Benson
    ... between western ways of thinking with experiential and interconnected knowledge. Tracey works at the nexus of media arts, digital transformation, ecological systems and citizen empowerment. Her work focuses on issues related to belonging, place, wellbeing...
  • p53 -
    ... so comments both the traditional and the avant-garde. Grinder p53 is a manifestation of how media have changed pre-digital art. Where traditional sculpture before made superficial depictions of the outer human silhouette, grinder p53 is an inner...
  • Fugitive -
    ... gross bodily movement as an indicator of "mood". The user moves through an impressionistic visual experience based in a digital video database. The question of Embodiment is central: we attempted to production a system which "speaks the language of the...
  • Laura Skocek
    ...I am an artist, living and working in Vienna. Having been trained at the University of Applied Arts Vienna (Digital Arts), my focus is on sculpture and smart materials, with an interest in the intersections of art and science, as well as video art, animation and video...
  • Rejane Spitz
    ... of computers in developing nations. She is on the International Advisory Committee of ISEA, and on the Advisory Board of The Digital Art Museum (DAM). She is also on the LEONARDO / ISAST's Editorial Board (since 1993) , Advisory Board (since 2003) and she...
Search results 1221 until 1230 of 1493