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Sections of Nothing-Nothing
1997
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2017
http://www1.khm.de/~marcello/html/Net-Art/A.html Objects / In A Network Of Tangled-Up / Porous Graduation-System / Every Fragment / Lighted Up +- 5 Grade-Centigrade / Lights Options / Space Sterilized / In Ethylene Oxide Chambers/ Immediate
Silhouettes *Iconique* (LICHTPHON / IKONEN 1)
2019
Silhouettes *Iconique* (LICHTPHON / IKONEN 1) Video-Music-Sound-Art-Vision SCHAHRAM POURSOUDMAND Music- & Sound Artist I Composer I Visual Imagist I Poet Format: 16:9/HD Audio: Stereo Length: 9:59 Min. Year: 2019 LICHTPHON is the sound- and
Letter
1996
A navigational poem that presents the viewer with the image of a three-dimensional spiral jetting off the center of a two-dimensional spiral. Both spirals are made exclusively of text. The reader is able to grab and spin this cosmic verbal image in
Boca en la red
2009
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2009
video
Boca en la red es una videocreación net.art. El trabajo consiste en la proyección de una boca femenina que sonríe en un movimiento fluctuante. La escena está fragmentada en siete partes y cada una de ellas se mueve independientemente. Al observar la
VIRTUAL GLAZING
2006
The kaleidoscopic rhythmic structure of a recurring pattern is not a computer-generated picture, but a video recording taken on a digital camera and a kaleidoscopic instrument. The infinite recurrence of one and the same element in micro- and
Autobiography
1996
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1998
"Autobiography" consisted of three light boxes and two computer stations. One computer displayed a Web site, which was created for "Autobiography". The other displayed the same material as the Web site, but provided a different way into these
Day of the Figurines
2006
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2006
Day of the Figurines is funded by the European Commission's IST Programme. It is part of the 'City as Theatre' workpackage of the IPerG project, a large European consortium led by Blast Theory, SICS - Swedish Institute of Computer
Vergessen. Fragmente der Erinnerung
2019
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2019
Event: Vergessen. Fragmente der ErinnerungInstitution: Tiroler Landesmuseum FerdinandeumComment:
utHOPEia
2001
Hope in fusion with Utopia is here in perspective, looking at St Virgil, which has become part of the every day (esthétique du quotidien). By fragmenting the space and recontextualising elements of the place, utHOPEia is "hoping" to have the
n o w h e r e - ein welt raum spiel
2005
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2006
in cooperation with: Gerald Nestler (Research), Christof Cargnelli (Sound), Oliver Irschitz (Production) --- I treat Wittgenstein's propositions more like axioms. When I negate the axiom, 'We make ourselves a picture of the world'
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