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Eve Clone IV/V
2011
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2011
Created using 3D animation, interactive computer programs, infrared sensors, and webcams, Eve Clone IV/V is an interactive audiovisual installation that features six large-scale “Eve Clone” projected across a three-dimensional, hexagonal
Tweak Exhibition
2010
Digital technology has become a medium that has redefined the arts broadening horizons and changing practices. The works in this exhibition explore interactivity and the possibilities opened up by multimedia and electronic technologies to create
VideoFest '91
1991
1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use
Subtle Technologies 2001
2001
The 4th annual Subtle Technologies Conference is an opportunity for scientists and artists to come together and share each others language in those areas which are still searching for definitions, explanations and meaning. This conference blurs the
Portrait of Eve Clone
2010
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2010
I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the
The Peony Pavillon
2001
Xiangzu, Tang. The Peony Pavillon. Beijing: Foreign Languages Press, 2001.
Sommerer, Christa, Mignonneau, Laurent, Lecture at IEEE Symposium on Visual Languages (VL'99), Waseda University, International Conference Center, Tokyo, Japan
1999
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1999
Event: Sommerer, Christa, Mignonneau, Laurent, Lecture at IEEE Symposium on Visual Languages (VL'99), Waseda University, International Conference Center, Tokyo, JapanInstitution: Waseda University International Conference CenterComment:
Procesos. Cultura y nuevas tecnologias
1986
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1986
Processes gathered a compendium of works that used the new Tools and technological media of the moment showing new ways to create, capture, process, transmit and store informational content. In this Exhibition is evidenced the disappearance of the
Balance-Unbalance 2017: A Sense of Place / COMESTIBLE: Seven-Day Meal Plan
2017
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2017
The daily meal is a powerful human institution and the family dinner table a site where food and home meld into an ‘intimate place’ of nurture. But, in times when climate change jeopardizes food security the question of ‘what will we eat in the
Geometria do Êxtase
1982
In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate
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