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  • Ray, Tom S.. Software Evolution Systems, Control and Information 40, no. 8 (1966): 337-343.
  • Chris Ziegler (*1963, Karlsruhe, D) is media artist and director since early 1990‘s of numerous international collaborations of interdisciplinary projects in the field of new media with the performing arts. He holds a Diploma in Architecture,
  • The exhibition shows works by the computer scientist, Frieder Nake (now resident in Bremen), who was a member of the Stuttgart group led by Max Bense. He displayed his first algorithmically generated digital graphics in Stuttgart in 1965, as did
  • Ascott, Roy. Behaviorist Art and the Cybernetic Vision Cybernetica, Journal of the International Association for Cybernetics 9 (1966): 247-264.
  • Brendel, Otto J.. Der große Fries in der Villa dei Misteri Jahrbuch des Deutschen Archäologischen Instituts 81 (1966): 206-260.
  • Ford, John J.. Soviet Cybernetics and International Development In The Social Impact of Cybernetics, edited by Charles DecherNew York: Simon and Schuster, 1966.
  • Greimas, Algirdas Julien. Sémantique structurale: Recherche de methode. Paris: Larousse, 1966.
  • A predecessor of Lynn Hershman Leeson's influential “Roberta Breitmore” series, “Self Portrait as Another Person” features a wax cast of the artist's face that was made in 1966. Characteristic of similar pieces created by the artist in this period,
  • Jun Takita, born in 1966 in Tokyo, graduated in 1988 from Nihon University, majoring in arts. He received a Masters from Paris Ecole National d’Art in 1992, having received a scholarship from the French government. He draws heavily from concepts of
  • Hazeltine, J. L.. The Computer and the Artist In Utah Architect, Utah: Utah Architect, 1966.