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Dal Farra, Ricardo. A journey of sound through the electroacoustic wires. Art and new technologies in Latin America. Phd Thesis, UQAM, Montreal, 2006.

Abbado, Adriano. Perceptual Correspondences of Abstract Animation and Synthetic Sound (1988).

Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).

OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.

Willis, Holly. Sweet´N`Sour Afterimage 20, no. 10 (May 1993).

Tom McCormack. Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb http://www.movingimagesource.us/articles/corroding-the-machine-20120406 [Moving Image Source 6 April 2012].

Jung, Patricia and Helen Varley Jamieson. “Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr. Germany: Open Source Press, 2005.

aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.

Benayoun, M.. So.So.So. Somebody, Somewhere, Some Time Theories and Documents of Contemporary Art, A Sourcebook of Artists’ Writings (2012).

Kac, Eduardo. Photonic Webs in Time: The Art of Holography In New Media Technologies, edited by Ross Harley, 123-139. New South Wales, Australia: AFTRS, 1993.