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Zareei, Mo. Audiovisual Materialism Organised Sound 25, no. 3 (November 2020): 362-371.

Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.

Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).

Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.

Lavoslava Benčić. Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.). Musicult '16 : III. International Music and Culture Studies Conference proceedings (May 2016): 64-68.

Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic

Lasserre, Grégory and Anaïs met den Ancxt. SphèrAléas. Tridimensional interactive/sound/image installation In MULTIMEDIA '07: Proceedings of the 15th International Conference on Multimedia, edited by Rainer Lienhart and Anand Prasad, 363-364. New

VIOLANTE, Alessandro. FLUXES #2 – Intervista Monika Fleischmann & Wolfgang Strauss Interview FLUXES#2, FLUX. Musical art, conjunct of sound. FLUXES#2, FLUX. Musical art, conjunct of sound.

VIOLANTE, Alessandro. FLUXES #2 – Intervista Monika Fleischmann & Wolfgang Strauss Interview FLUXES#2, FLUX. Musical art, conjunct of sound. FLUXES#2, FLUX. Musical art, conjunct of sound.