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PICO
2004
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2005
We are working to create a new type of human-computer interface, called PICO, by combining some of the usability advantages of mechanical systems with the abstract computational power of modern computers. Long before modern electronic computers were
Marcello Mercado
Biological theories, mathematical principles, and technology are founding elements in his work. He straddles the boundaries between video art, performance, net.art, music, and painting. An amalgam of nuances from a world ruled by data overload.
Elusive and Invisible
2011
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2011
Event: Elusive and InvisibleInstitution: Centre des Arts, Enghien les BainsComment:
Gains numériques
2007
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2007
Event: Gains numériquesInstitution: Centre des Artes, Enghien-les-BainsComment:
Centre des Arts d' Enghien-les-Bains - Enghien-les-Bains (France)
2011
Event: Centre des Arts d' Enghien-les-Bains - Enghien-les-Bains (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
Bains Numeriques #5 / Digital art festival - Enghien-les-Bains (France)
2010
Event: Bains Numeriques #5 / Digital art festival - Enghien-les-Bains (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
Data Beautiful
2001
According to Info-Aesthetics Doctrine (www.manovich.net/IA), the society in which gathering, processing and distribution of information play central role needs its own art forms. These forms should take into account information behaviors and
Molecular Clinic 1.0
1995
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1996
Molecular Clinic 1.0 is an art project realized through a collaboration between Seiko Mikami and ARTLAB. The "installation" is unique in that it only resides in the World Wide Web and has no material presence at all. To participate in this
Wild
1994
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1994
Wild is an interactive virtual sculpture. The structure of the sculpture depends on the movement of objects within the local environment of the work. A video camera pointed at the viewers of the work and the local environment sends digitised
Joseph Nechvatal
Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
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