Archive Search

  • Sommerer, Christa and Laurent Mignonneau. Text as Genetic Code: Creating Visual Language on the Internet In CADE’99 Computers in Art and Design Conference Proceedings, , Appendix. Teeside: University of Teeside, 1999.
  • Strauss, Wolfgang and Monika Fleischmann. Staging the Space of Mixed Reality - Reconsidering the Concept of a Multi-user Environment In Proceedings of VRML 99 - Fourth Symposium on the Virtual Reality Modeling Language, edited by Stephen N.
  • Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.
  • In the FILE 2002 - electronic language international festival are exposed hundreds of interactive works. Most of them are online works, web art, net art, VRML, hypertexts, artificial intelligence, simulations and others. To see the 2002 works you
  • The Art Institute of Nanjing University and Nanjing U Museum of Art exhibit for the first time in China “Just Dig It!” by Maurice Benayoun. Produced and presented by Osage Gallery in 2016, “Just Dig It!” presents VR artworks created from 1995 to
  • After Pey-Chwen Lin completed the “Making of Eve Clone I”, she created an interactive installation, the “Great Image of Eve Clone”, to further explore the relationship between humans and Eve Clone — the way a human gave life to Eve Clone is similar
  • Simon Biggs -
    As contemporary art practice moves ceaselessly into the vast and infinitely complex field of video and computer technology, the McDougall Art Annex takes pleasure in presenting the work of a leading artist in this area, British-based Simon Biggs.
  • This series prints show six wire-framed body images of “Eve Clone” in six angles excerpted from the video of “Making of Eve Clone I”. Also, the texts about the “Whore of Babylon” were taken from the Book of Revelation to show the identity and
  • The large-scale projection interactive installation, Revelation of Eve Clone I, further presented that Eve Clone had artificial life and reproductivity. After the viewer entered the exhibition realm, Eve Clone’s life index (the Time Code on the
  • After Pey-Chwen Lin completed the “Making of Eve Clone I”, she created an interactive installation, the “Great Image of Eve Clone”, to further explore the relationship between humans and Eve Clone — the way a human gave life to Eve Clone is similar