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  • Dejan Atanackovic
    Dejan Atanacković has presented solo exhibitions, video and audio installations, interventions in public space, as well as curatorial projects, since 1994. His works were exhibited in personal and collective shows in Italy, Serbia, Canada, USA,
  • Sacred Code -
    "Sacred Code" is a rumination on three holy texts:The Old Testament, The New Testament and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
  • Digital Aesthetics. Theory, Culture and Society
    Cubitt, Sean. Digital Aesthetics. Theory, Culture and Society. London, New York: Sage, 1998.
  • Warren Sacks
    BIO Warren Sack is a software designer and media theorist whose work explores theories and designs for online public space and public discussion. He is Associate Professor of Film and Digital Media; affiliated faculty with the Computer
  • Lawrence Paul Yuxweluptun
    Lawrence Paul Yuxweluptun, graduated from the Emily Carr School of Art and Design in 1983 with an honours degree in painting. Yuxweluptun's strategy is to document and promote change in contemporary Indigenous history in large-scale paintings, using
  • Wiener Aktionismus und Aktionstheater in München -
    2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
  • Bill Viola
    Bill Viola has been instrumental in the establishment of video as a vital form of contemporary art, and in so doing has helped to greatly expand its scope in terms of technology, content, and historical reach. For 40 years he has created videotapes,
  • Ornitorrinco in the Sahara (St. Petersburg Biennale, The School of The Art Institute of Chicago, Aldo Castillo Gallery)
    Event: Ornitorrinco in the Sahara (St. Petersburg Biennale, The School of The Art Institute of Chicago, Aldo Castillo Gallery)Institution: the School of the Art Institute of Chicago (SAIC)Comment:
  • El proceso como paradigma -
    Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
  • Sähköiset unet - Musiikkivideot: miten taiteesta tuli pop
    Alanen, Antti and Ilppo Pohjola. Sähköiset unet - Musiikkivideot: miten taiteesta tuli pop. Helsinki: VAPK-Kustannus, 1992.
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