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And Grind Hard Stones To Meal
1989
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1989
Length: 6min. 30sec. Two rectangles turn like prayer wheels on either side of a vertical videographic axis. They show the resonances of a thin layer of sand as it is effected by the audio frequencies of Tibetan music - a conjunction of science and
The Encoded Eye, the Archive, and its Engine House
1998
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2000
The Encoded Eye, the Archive, and its Engine HouseArtist: David TomasComment:
Understanding Echo
1999
Awarded a DA2 Open Commission, Martin Rieser has created Understanding Echo, an interactive installation that re-awakens the mythological figure from the Echo and Narcissus myth. In the centre of a darkened room hang a number of translucent
ZENetic Computer
2003
ZENetic Computer is an interactive experience that evokes "self-awakening," a particular cognitive response to processing reality via subliminal consciousness. It uses stories portrayed in sumie (ink painting), haiku and kimono which display
Media Bombs
1990
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1990
From a master missile installed in the center of space, 36 Media Bombs drop out. A crystal TV is embedded in each of the bombs, and the monitors broadcast programs of stock information from all over the world. The programs, each broadcast from a
Information Weapons "Super Clean Room"
1990
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1990
This installation took place in a real Super Clean Room at Toyoko Global Environment Laboratory. A "Clean Room" is an artificial air space without any dust or germs...it's air contains nothing: no contaminants. Such rooms are maintained in
Borderless Under the Skin
1992
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1994
This piece is contained inside of a "Biohazrd Tent", or isolation chamber. Inside of the tent are several I.V. drip bags for blood transfusions, delivery of drugs etc. Inside of each I.V. drip bag is a surgical glove which has been fitted with
The Book after the Book
1999
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1999
The Book after the Book is a hypertextual and visual essay about cyberliterature and the net_reading/writing_condition. Its main focus is non-linear narratives, which reconfigure the literature/book relationship starting from the very notion of
Content = No Cache
2000
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2000
Content = No CacheArtist: Giselle BeiguelmanComment:
Recycled
2001
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2001
RecycledArtist: Giselle BeiguelmanComment:
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