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REGARDS SUR L'ART CONTEMPORAIN RUSSE 1990 -2010 2010

Vargin Olivier. REGARDS SUR L'ART CONTEMPORAIN RUSSE 1990 -2010. Paris, France: l'Harmattan, 2010.
Art Interactif, corps couplé et sentiment post-biologique 2001

DOMINGUES, DIANA MARIA G. Art Interactif, corps couplé et sentiment post-biologique In Dialogues Sur L'Art et La Technologie, edited by Edmond Couchot, 123-138. Paris: L'Harmattan, 2001.
Gardens of the Anthropocene 2016 - 2017

The augmented reality (AR) installation Gardens of the Anthropocene posits a science-fiction future in which native aquatic and terrestrial plants have mutated to cope with the increasing unpredictable and erratic climate swings. The plants in the
Puttin´ on a Natural Interface 1995

Harmon, Amy. Puttin´ on a Natural Interface Los Angeles Times (June 7th 1995).
Picture Processing by Computer 1969

Harmon, Leo and Ken Knowlton. Picture Processing by Computer Science 164 (1969): 19-29.
Herwig Weiser

Herwig Weiser is an interdisciplinary artist who work collaboratively. His long-term investigation of the relationship between electronic information and data systems, and the raw hardware that drives these technologies, draws on aesthetic,
Open source hardware (OSHW) supporting interaction between traditional crafts and emergent science: wayang kulit over microfluidic interfaces 2014

Kera, Denisa and Justyna Ausareny and Stefania Druga and Yair Reshef. Open source hardware (OSHW) supporting interaction between traditional crafts and emergent science: wayang kulit over microfluidic interfaces Proceeding SA '14 SIGGRAPH Asia 2014
Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie. Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997 1997

ZKM Karlsruhe, ed. Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie. Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997. Ostfildern-Ruit: Hatje Cantz, 1997.
V2_Lab for the Unstable Media 1981
Phantom Waves 2021

The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of

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