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Ray, Tom. Evolution and Complexity In Complexity: Metaphors, Models, and Reality, edited by George A. Cowan and David Pines and David Metzger, 161-173. Boston, MA: Addison-Wesley Publishing Co, 1994.

Cubitt, Sean. The Information Environment In Ubiquitous Computing, Complexity, and Culture, edited by Ulrik Ekman and Lily Diaz and Morten SondergaardNew York: Routledge, 2015.

DOMINGUES, DIANA MARIA G and Eliseo Berni REATEGUI. Education and complexity in art, science and technology: new Leonardos in Brazil Nyssa 1 (2009): 1.

DOMINGUES, DIANA MARIA G. Software Art: comportamento e experiência em ARTE INTERATIVA Aplauso 92 (2008).

DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic

Hsin Hsin, Lin. Rudiments Mapping - An Axiomatic Approach to Music Composition .

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).

Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.