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Simanowski, Robert. Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations. Vol.35. Electronic Mediations, Minneapolis: University of Minnesota Press, 2011.

Simanowski, Robert. Textmaschinen - Kinetische Poesie - Interaktive Installationen. Zum Verstehen von Kunst in digitalen Medien. Bielefeld: transcript, 2012.

Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).

Simmen, Jeannot. Neue Medien, neue Welten: Digitale Kunst. 6 (Feb 1999): p. 151.

Simmen, Jeannot, ed. Neue Medien, neue Welten: Digitale Kunst.. Vol.6. 151., Brockhaus, Kunst und Kultur th ed.Leipzig: Brockhaus, 1999.

Simmen, Jeannot, ed. Neue Medien, neue Welten: Digitale Kunst.. Vol.6. 151., Brockhaus, Kunst und Kultur th ed.Leipzig: Brockhaus, 1999.

Weibel, Peter. Techno-Transformation und terminale Identität In Telematik. Netz Moderne Navigatoren, edited by Jeannot Simmen, 9-15. Köln, DE: Verlag der Buchhandlung Walther König, 2002.

Simó, Águeda. The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-dimensional World Leonardo 2, no. 51 (2018): 124-127.

Brower, Joke and Arjen Mulder, ed. Information Is Alive. Rotterdam, NL: V2_Publishing, 2003.

Penny, Simon. From A to D and Back Again: The Emerging Aesthetics of Interactive Art In Next Wave Festival/ Perception and Perspective, edited by Australia National Gallery of VictoriaMelbourne, Australia: 1996.