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Orpheus (Video for Ballet production) 2014 - 2014

How can we see that the lively dancer on stage is on her way to be resurrected from the death? Thermography was the ideal medium for the production of Orpheus and Eurydike
Franco Mazzucchelli

Research into the nontraditional materials of sculpture has accompanied my artistic career in the search for the relation between the work and the exhibition site understood as social sphere, architectural context or an urban space. A work of art
”The Living Archive” of Digital Arts – Web 2.0 & 3.0 and the BridgingThesaurus 2018

Grau, Oliver and Wendy Coones. ”The Living Archive” of Digital Arts – Web 2.0 & 3.0 and the Bridging Thesaurus Konferenzband EVA Berlin 2018 (2018): 230 - 237.
Featured Artist Marta de Menezes 02/2017

.. an artist, writer and curator, who has worked in the field of Bio Art since the late Nineties ..
10 Theses on the Digital 2012 - 2012

Event: 10 Theses on the DigitalInstitution: Ruhr-Universität BochumComment:
Between Benjamin and McLuhan: Vilém Flusser’s Media Theory,” New German Critique 110 (Summer 2010): 180-209. 2010

van der Meulen, Sjoukje. Between Benjamin and McLuhan: Vilém Flusser’s Media Theory,” New German Critique 110 (Summer 2010): 180-209. New German Critique , no. 110 (2010): 180-209.
Zentrum für Bildwissenschaften
Enactive soundscapes: towards a naturalized aesthetic 2013

OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.
REENGINEERING of Nature and biodiversity challenges 2013 - 2013

The challenges of the infirmity of landscapes in the sense of affective geographies and health care, biodiversity, affectivity and the infirmity and preservation of the landscapes and life of the planet Reengineering of culture The role of social
Der Digitale Bau. Aktuelle Tendenzen der Raumvisualisierung und ihre Vorläufer 2003

Grau, Oliver. Der Digitale Bau. Aktuelle Tendenzen der Raumvisualisierung und ihre Vorläufer Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar , no. 3 (2003): 112-121.

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