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The Coming and Going of
Image
s
2000
...Arnheim, Rudolf. The Coming and Going of
Image
s Leonardo 33, no. 3 (2000): 167-168.
Image
s, Language and Belief in Synthesis
1995
...Legrady, George.
Image
s, Language and Belief in Synthesis In Critical Issues in Electronic Media, edited by Simon Penny: SUNY Press, 1995.
Visual Culture:
Image
s and Interpretations
1994
...Bryson, Norman and Keith Moxey and Michael A. Holly. Visual Culture:
Image
s and Interpretations. Middletown, CT, USA: Wesleyan University Press,...
Leif Brush
... Brush supplied a citation chapter, Soundworks, as CD and
image
s for Beyond 440 Cycles per Second by Volker Staub; publisher:...
Janet Cardiff
... visual elements into these works, including sculpture, still
image
s and film, adding further dimension to the pieces. The majority...
Obliques (précédé de)
Image
s,
image
s...
1987
...Caillois, Roger. Obliques (précédé de)
Image
s,
image
s.... : Editions Gallimard, 1987.
Art History and
Image
s that are not Art
1996
...Elkins, James. Art History and
Image
s that are not Art Art Bulletin 77, no. 4 (December 1996): 553-571.
Art History and Computer-Generated
Image
s
1994
...Elkins, James. Art History and Computer-Generated
Image
s Leonardo 27, no. 4 (1994): 335-342.
Andrew Carnie
... complex screen configurations. In a darkened space layered
image
s appear and disappear on suspended screens, the developing...
New Techniques for the Creation of Artificial Realities
1987
...ecca. New Techniques for the Creation of Artificial Realities In Computer
Image
s and Hi-Vision - CG '88, Tokyo: 1987.
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