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  • Making of Eve Clone III - video
    ... are projected throughout the entire exhibition space, which was made possible by the use of mesh wrapping and perspective technology for digital images. Videos featuring large, bold fonts slowly flow outwards, gradually expanding, and then they start to...
  • Making of Eve Clone MR - video
    ... Eve Clone, and eventually it is integrated again with Vitruvian Man. This process conveys the image of Eve Clone, a product of technology, has the perfect ratio that da Vinci developed for the Vitruvian Man. It also conveys the desire expressed in da Vinci’s...
  • Diaa Ahmedien
    ... researcher, and creator to setup systems of artworks, basically depending on the intersection between art, sciences, and technology. His accurate specialization lies in the area of Holography, Interactive arts, Generative arts, Processes arts,...
  • Jörg Auzinger
    ...Joerg Auzinger’s art deals with the relationship between human, nature and the sociopolitical aspects of a technology-based communication society. Joerg Auzinger’s artistic work is situated between art, science and technology. In interactive installations, photographic...
  • Ethan Bach
    ... Polytechnic Institute in 2008 and BA in Media Production from The Evergreen State College in 1996. Ethan Bach utilizes technology to create change through challenging preconceived notions about society, the world and oneself. As a Transgender artists...
  • Inherent Rights, Vision Rights
    ...Yuxweluptun, Lawrence Paul. Inherent Rights, Vision Rights In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeod, 315-318. Cambridge, MA: The MIT Press, 1996.
  • Suzanne Anker
    ... continues to interweave traditional and experimental media in her department’s new digital initiative and the Nature and Technology BioArt Lab. (http://www.suzanneanker.com/biography/)
  • Richard Brown
    ...Richard Brown has a BSc in Computers & Cybernetics and an MA in Fine Art and creates interactive artworks using multi-media technology, computer programming, electronics and interfacing. Between 1995 and 2001 Richard was a Research Fellow at the Royal College of Art,...
  • Field Recording Studies
    ...Naimark, Michael. Field Recording Studies In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeodCambridge, MA: MIT Press, 1996.
  • Philip Beesley
    ... of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in architecture at the University of Toronto. At Waterloo he serves as Director for the Integrated...
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