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  • Rewind to the future -
    Rewind to the future mit Eija-Liisa Ahtila, Dara Birnbaum, Klaus vom Bruch, Peter Campus, Luc Courchesne, Jordan Crandall, Stan Douglas, Douglas Gordon, Dan Graham, Ingo Günther, Gary Hill, Nan Hoover, Felix Stephan Huber / Philip Pocock, Jodi ,
  • Oliver Grau
    20 years Chair Professorships for Image Science. More than 350 lectures and keynotes worldwide, including Olympic Games culture program and G-20 Summit. Grau's “Virtual Art. From Illusion to Immersion”, MIT Press 2003 (Book of the Month, Scientific
  • IN TIME AND SPACE -
    ”Joining different life forms, two different DNA, creates an even more beautiful and more resistant life form, a stronger DNA. Unknown life forms from other planet came down to Earth, in a silent crash of two worlds.” Using the symbiosis of two
  • HOMO NOVUS -
    HOMO NOVUSArtist: MOON Martina ZelenikaComment:
  • Time Jitters
    "Time Jitters" is a two channel video that has been exhibited as a diptych as well as part of an interactive installation. Part 1 is a grid of twenty-five animations all of which loop at different rates becoming a cacophony of pulsing color and
  • In Medias Res -
    Morehshin Allahyari & Daniel Rourke, Banz & Bowinkel, Malte Bartsch, Mariechen Danz, Angela Fette, Hans Haacke, Konsortium (Lars Breuer, Sebastian Freytag, Guido Münch), Reiner Maria Matysik, Theresa Schubert, Anja Schwörer kuratiert von Ursula
  • The Unemployed -
    The Unemployed is an interactive installation that visualizes worldwide unemployment, depicting the jobless as animated figures moving in an abstract representation of urban space. Viewers movements are tracked and their silhouettes are replaced by
  • The Blackest Spot
    The Blackest Spot was a five-projector room-sized interactive installation that explored the representation of crowds and the myriad reasons for public gatherings. Animated imagery, ambient crowd sounds, and fragments from well known speeches
  • Kunst im Zeitalter der technischen Reproduzierbarkeit des Menschen. Zur Rezeption der Gentechnik in der zeitgenössischen Kunst
    Reichle, Ingeborg. Kunst im Zeitalter der technischen Reproduzierbarkeit des Menschen. Zur Rezeption der Gentechnik in der zeitgenössischen Kunst KunstTexte 1 (2001).
  • Der neue Raum im elektronischen Zeitalter
    Weibel, Peter. Der neue Raum im elektronischen Zeitalter In Außenräume, Innenräume. Der Wandel des Raumbegriffes im Zeitalter der elektronischen Medien, edited by Heidemarie Seblatnig and Gesellschaft für Filmtheorie, 65-74. Wien:
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