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Featured Artist Eduardo Kac
06/2022
Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
RC Robot
1986
In 1986 Kac worked with radio-controlled telerobotics in the context of the exhibition "Brasil High Tech", realized at the Centro Empresarial Rio, in Rio de Janeiro. Kac used a 7-feet tall anthropomorphic robot (left) as a host who conversed with
Nuit Blanche
1986
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1986
This experimental video uses 4 different sources for an installation of 25 screen: the electronic Graph-8 palette, coupled with an Apple2C computer, a Slow-Scan equipment, a text generator, a Time Base Corrector and a videocamera recording a live
DEAF 04: Affective Turbulence
2004
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2004
Theme: affective turbulence, the art of open systems. DEAF, the Dutch Electronic Art Festival, is a biennial international and interdisciplinary festival organized by V2_ in Rotterdam (NL) which showcases crossovers between art, technology and
Space Poetry and Art (series/concept 1986-present)
1986
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2022
Space Poetry and Art (series/concept 1986-present)Artist: Eduardo KacComment:
Holopoetry and Perceptual Syntax
1986
Kac, Eduardo. Holopoetry and Perceptual Syntax Holosphere 14, no. 3 (Summer 1986): 25.
The Satellite and the Work of Art in the Telecommunications Age
1986
Kac, Eduardo. The Satellite and the Work of Art in the Telecommunications Age Kac Studio (1986).
O satélite e a obra de arte na era das telecomunicações
1986
Kac, Eduardo. O satélite e a obra de arte na era das telecomunicações Kac Studio (1986).
Self-Portrait with Eiffel Tower
1988
Circular-patterned digitizing of the viewers' movements was conjoined with the static recording of a large souvenir reproduction of the Eiffel Tower. The work uses the same image processing software originally developed for Video Narcissus
Flying Crane
1996
Gallery view from outside. The artist's first robotic brush strokes were achieved in 1987. The strokes achieve spontaneous qualities using coded procedures. The software generates a brush form and requests a paint brush. The artist places a
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