Archive Search

  • Two Tribes
    Kunzru, Hari. Two Tribes Wired 2.11 (November 1996).
  • Photonic Webs in Time: The Art of Holography
    Kac, Eduardo. Photonic Webs in Time: The Art of Holography In New Media Technologies, edited by Ross Harley, 123-139. New South Wales, Australia: AFTRS, 1993.
  • Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art
    Harley, Ross, ed. Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art. Sydney: TISEA, 1992.
  • Mark-David Hosale
    Mark-David Hosale is a computational artist and composer. He is an Associate Professor in Computational Arts in the School of the Arts, Media, Performance, and Design, Toronto, Ontario, Canada. He has given lectures and taught internationally at
  • Resistance is futile
    Cleland, Kathy and Ross Harley. Resistance is futile In ISEA 2013 proceedings, edited by ISEASydney: 2013.
  • Forget the flâneur
    McGarrigle, Conor. Forget the flâneur In Proceedings of the 19th International Symposium on Electronic Art, edited by K. Cleland and L. Fisher and R. HarleySydney: ISEA2013, 2013.
  • Magnet -
    Interactive digital video projection environment 14 x 8 x 7 metres 2 large scale video projections, black and white, multi-channel interactive sound In collaboration with Stuart Jones (sound) Produced whilst Artist In Residence at the
  • Présences virtuelles
    Bellour, Raymond. Présences virtuelles In Les Frontières esthétiques de l'art, , 179f.. Paris: L'Harmattan, 1999.
  • Ecrire sur l´art: De l´art optique à l´art virtuel
    Popper, Frank. Ecrire sur l´art: De l´art optique à l´art virtuel. Paris: Editions L'Harmattan, 2007.
  • Miroslaw Rogalla
    "A central concept of my artworks is 'freedom of speech.' My understanding of freedom and democracy is not only "rights"and "privileges" ­ the traditional definition in the USA ­ but also of responsibilities. Interactive Media give audiences the
Search results 1201 until 1210 of 4876