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  • ...Huhtamo, Erkki. Pre-envisioning Mediatecture: A Media-archaeological Perspective In Mediatecture: The Design of Medially Augmented Spaces, edited by Christoph Kronhagel, 20-27. Vienna/New York: Springer, 2010.
  • ...Kluszczyński, Ryszard W.. Spaces of Generativity: An Introduction to the Art of Wojciech Bruszewski Art Inquiry XIV (2012): 71-80.
  • ... Mountains, in Virtual Worlds, and may be manifested phenomenologically in artificial intelligence beings, in digital spaces or in concrete robots. The objects of this poetic affection inhabit these places, being human or non-human, but certain of...
  • ...(*1982 in Teheran, Iran) is a Ph.D. student at the DFG graduate program »Explorative Analysis and Visualization of Large Information Spaces« and a member of the Human-Computer Interaction Group at the University of Konstanz. Her research focuses on novel interaction...
  • ... Konstanz. He is an associated member of the DFG graduate program "Explorative Analysis and Visualization of Large Information Spaces« and directs the research project "inteHRDis - Interaction Techniques for High Resolution Displays." His research is focused...
  • ... idea of the viewing environment is also of importance; recent works have been shown on electronic billboards in public urban spaces and open air cinemas in remote rural places. Projects are shown at venues and festivals internationally, such as in "Hors...
  • ...Kluszczynski, Ryszard W.. DYNAMIC SPACES OF EXPERIENCE. ON THE ART OF MIROSŁAW ROGALA https://www.academia.edu/4252004/Dynamic_Spaces_of_Experience._On_the_Art_of_Miroslaw_Rogala [28.01.2015].
  • ...Benayoun, M.. Connecting and Disrupting Public Spaces: from the “Tunnel under the Atlantic” to the Open Sky Campus ISEA2015 (2015).
  • ... applications which can conglomerate diaphanous information by themselves (also called knowbots) and intelligent virtual spaces (flexible information-environments distributed in electronic networks). Knowbotic Research KR+cF has regularly invited people...
  • ... both online and offline, and can be found in various digital and offline collections, as well as in several permanent online spaces. Her artistic practice is centred around creating intimate and complex assemblages of physical and virtual elements that...