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  • Diputación de Malaga, ed. Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music). Malaga, Spain: Centro de Ediciones de la Diputación de Malaga, 2004.
  • Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.
  • Del Favero, Dennis. Deep Sleep, DVD-ROM/DVD-Video. iCinema Monograph Series, : iCinema Monograph Series, 2004.
  • //////////fur//// develops art entertainment interfaces for multidimensional multiuser involvement: software-programs in mechatronic artefacts that create dynamic action-spaces for two or more participants. //////////fur////'s guiding idea is the
  • Takashi Kawashima is a designer and media artist living in San Francisco. His work explores the re-contextualizing of commonplace items to create new awareness of the mundane. Takashi was featured as one of ten emerging student artists in the
  • Yamaguchi Center for Arts and Media, ed. Gravicells - Gravity and Resistance. Yagamuchi, JP: Yagamuchi Center for Arts and Media, 2004.
  • Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga,
  • Weibel, Peter. Die postmediale Kondition In Die Medien der Kunst. Die Kunst der Medien, edited by Gerhard Johann Lischka and Peter Weibel, 207-214. Karlsruhe, DE: ZKM Karlsruhe, 2004.
  • Paul Hertz is an independent artist, printmaker, and curator who works with algorithmic processes. From 1971 to 1983, he lived and worked in Spain, where he collaborated with actors and musicians. He earned a BA in Fine Arts from Brown University
  • Michael Naimark is a media artist and researcher who often explores "place representation" and its impact on culture. He has served as faculty in the USC School of Cinematic Arts' Interactive Media Division (2004-09), the NYU Tisch School of the