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  • Engeli, Maia and Phoebe Sengers. Cast01: a review of recurring issues [ ].
  • Heroes are hard to find. The few, who are considered to be worth remembering, are placed somewhere, soon to be forgotten. In the obscurity of arterial roads and shaggy groves characters of bronze or stone wait to be recognised. Maybe they freeze in
  • Giving the first impression of a simple commodity sculpture "AutoGene" lures the viewer into a false sense of security which is then at the flick of a switch rapidly dispelled. The seemingly mundane umbrellas are transformed into magical animated
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Video: In this excerpt, Orf engages the speed and power of the aircraft, a weapon of mass destruction in the 21st century, singing: swing low, sweet chariot coming for to carry me home, evoking the extremist allure of the afterlife. (source:
  • Peter Beyls thinks of the universe as one giant generative system revealing systemic behavior on numerous levels: from the unpredictable dynamics exposed in social structures to emergent functionality in the human brain to molecular interaction in
  • DOMINGUES, DIANA MARIA G. Ciberestética e a engenharia dos sentidos na Software Art. In Estéticas Tecnológicas: Novos modos de sentir, edited by Lucia SANTAELLA and Priscila ArantesSão Paulo: Educ, 2008.
  • Enger, Cecile. Datakunsten Dagens Naeringsliv (February 1996).
  • Out of the dump -
    communiqué Centre des Arts Pour ce dernier volet de la saison, le centre des arts invite l’esprit prolifique de Maurice Benayoun à investir ses espaces ainsi que ceux de la Médiathèque George Sand d’Enghien-les-Bains autour de deux propositions
  • Kisseleva, Olga. Mondes Sensibles. France: CDA d'Enghien, 2016.