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Media Art in Process, VIRTUAL STATION
2005
-
2005
video
Virtual Station is an audio-video project which reminds us of the existing emotional states of a human being. The key of the project is the computer-human interaction. The project involves visual, auditory and emotional receptors. Visual and sound
IN TIME AND SPACE
2006
-
2005
”Joining different life forms, two different DNA, creates an even more beautiful and more resistant life form, a stronger DNA. Unknown life forms from other planet came down to Earth, in a silent crash of two worlds.” Using the symbiosis of two
H
OMO
NOVUS
2004
-
2010
H
OMO
NOVUSArtist: MOON Martina ZelenikaComment:
Composition on the Table
1998
-
1999
Composition on the Table (1998/99) is comprised of four white tables bearing physical interface components: switches, dials, and turntables. Computer graphics images are projected onto the tables from ceiling-mounted video projectors, and
Vom Symbol zum L
ogo:
Zeichen des Realen
1987
Weibel, Peter and Oswald Oberhuber. Vom Symbol zum L
ogo:
Zeichen des Realen In Im Bauch des Biestes: L
ogok
ultur, Arbeiten des WS 1986/87 der Meisterklassen für Gestaltungslehre and der Hochschule für Angewandte Kunst Wien, edited by Wien Hochschule
Time Jitters
2014
"Time Jitters" is a two channel video that has been exhibited as a diptych as well as part of an interactive installation. Part 1 is a grid of twenty-five animations all of which loop at different rates becoming a cacophony of pulsing c
olor
and
The Unemployed
2011
-
2014
The Unemployed is an interactive installation that visualizes worldwide unemployment, depicting the jobless as animated figures moving in an abstract representation of urban space. Viewers movements are tracked and their silhouettes are replaced by
Vom Experiment zur Idee: Die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Techn
olog
ie. Analyse, Dokumente, Zukunftsper
spekt
iven
1975
Davis, Douglas. Vom Experiment zur Idee: Die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Techn
olog
ie. Analyse, Dokumente, Zukunftsper
spekt
iven. Köln: DuMont, 1975.
Journey to the Moon
2007
-
2007
Verzaubert von dem ersten Science-Fiction-Film der Geschichte "Le Voyage dans la Lune" (George Méliès, 1902), schafft der zeitgenössische Künstler William Kentridge mit seinem gleichnamigen Werk eine Hommage an den französischen Experimentalfilmer
Form/Code/Maps: Zeichenluft
2015
-
2015
The exhibition features spatial and site-specific works from the series 'Form.Code.Maps', which translate areas of experience such as landscape, body, space, atmosphere into fluctuating computer-generated 3-D lenticular images. Introduction:
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