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The Mechanical Imagination - Creativity of Machines. Workshop of The Film Form (1970–1977) 2000

Kluszczynski, Ryszard. The Mechanical Imagination - Creativity of Machines. Workshop of The Film Form (1970–1977) In Warsztat Formy Filmowej/Workshop of the Film Form 1970–1977, Warszawa: Centrum sztuki wspólczesnej zamek ujazdowski, 2000.
Agnes Hegedüs, Bernd Lintermann, Jeffrey Shaw: Reconfiguring the CAVE 2004

Stiles, Kristine. Agnes Hegedüs, Bernd Lintermann, Jeffrey Shaw: Reconfiguring the CAVE In Future Cinema: The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 492-497. Karlsruhe, Cambridge: Center for Art and Media and MIT
George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film" 2001

Dreidger, Sharon Doyle. George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film" Maclean´s 114, no. 52 (December 2001): 38.
National Film Theatre, British Film Institute (BFI) Southbank, London, England 2007

“Optronica,” curated international audiovisual festival
Musée des impressionnismes, Giverny, France 2011

La Normandie et le Monde film festival
Territories and Resources 2008

Event: Territories and ResourcesInstitution: Cinema City - International Film FestivalComment:
50 minute film from Maison d'Ailleurs curated by Prudence Gill 2010 - 2010

Event: 50 minute film from Maison d'Ailleurs curated by Prudence GillInstitution: Hopkins Hall GalleryComment:
The Workshop of Film Form (1970-1977) 2000

Event: The Workshop of Film Form (1970-1977)Institution: Center for Contemporary Art Ujazdowski CastleComment:
Image Forum Experimental Film and Video Festival 2016

"The Golden Seed" shown as "The Golden Egg"
Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz 2006

Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München:

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