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  • VENOMENON -
    Based on her continuous research on counterfactual thinking, media artist Elke Reinhuber explores how to present a narrative in a multi-linear manner by fragmenting and dissecting it for the audience. Venomenon was shot in stereo 3D, completely on
  • Herzogenrath, Wulf and Edith Decker, ed. Video-Skulptur retrospektiv und aktuell - 1963-1989. Ostfildern-Ruit: DuMont Reiseverlag, 1989.
  • Decker-Phillips, Edith and Peter Weibel, ed. Vom Verschwinden der Ferne. Telekommunikation und Kunst. Köln: DuMont Reiseverlag, 1990.
  • Paik, Nam June. Brief an Dr. Steinecke In Niederschriften eines Kulturnomaden. Aphorismen. Briefe. Texte, edited by Edith Decker, 51-53. Köln: DuMont, 1992.
  • Bots -
    Copyrighted memes live in our minds, influence our thoughts, even shape our decisions. We are hosts for these memes, yet we have no say in their design, nor do we have the legal right to alter them. Like sacred icons they are controlled by corporate
  • In September 1989, for the second time Osnabrück hosted the European Media Art Festival, a forum that aimed to show and create free artistic spaces. Against the backdrop of media history, the intention of EMAF was to critically reflect upon the
  • Alexander Hahn and Edith Decker and Pavel Meyer. Rats/Ratten, 72 p. German/English. Berlin: DAAD Galerie, 1994.
  • Weibel, Peter. Vom Verschwinden der Ferne. Telekommunikation und Kunst In Vom Verschwinden in der Ferne, edited by Peter Weibel and Edith DeckerKöln, DE: DuMont Reiseverlag, 1990.
  • International arts collective founded by Verónica Peráles, Fred Adam and Andy Deck, concerned with ecology, sustainability, and media. Since its formation in 2001 it has produced a series of critically acclaimed works and exhibitions under the
  • Dust -
    2012 LABORATORIA Moskow, Art & Science Space( 29th.March.2012 until 1th5 July 7.2012) Exhibition: "DUST," Curators: Daria Parkhomenko, Simon Mraz Artists: Herwig Weiser, Erwin Wurm, Christa Sommerer & Laurent Mignonneau, Dietmar Offenhuber, Markus