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  • Richard Colson has taught digital media for many years in colleges and universities in the UK. He was Reader for Art and Digital Media Practice at Thames Valley University from 2008-2010 and Senior Lecturer at the same University responsible for the
  • Sarah Cook is a Canadian scholar, historian and curator in the field of New Media art, who is based in Newcastle upon Tyne. Cook is a Research Fellow at the University of Sunderland, where she works with the research institute CRUMB – Curatorial
  • GFP Bunny
    Becker, Carol. GFP Bunny Art Journal 59, no. 3 (Fall 2000).
  • Capucci , Pier Luigi. Alba, arte transgenica, arte del vivente Noema - Tecnologie e Societá (2000).
  • Fischnaller, Franz. Tracking The Net, Interactive Art In IX Festival internacional de video y multimedia de Canarias, Mediafest, edited by Canarias Mediafest, 123-128. Canarias, Spain: 2000.
  • Roth, Martin, ed. Der Themenpark der EXPO 2000 die Entdeckung einer neuen Welt. Vol.2. Basic Needs/ Mensch/ Ernährung/ Zukunft/ Gesundheit, Wien, New York: Springer, 2000.
  • Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
  • Formed in 2000. Participants: Natalia Grekhova, Alexey Korzukhin, Olga Inozemtseva, Vladislav Bulatov Where Dogs Run is the name of an enthusiastic Russian artists’ collective from Yekaterinburg in the Urals, they use multimedia techniques for
  • Sommerer, Christa and Laurent Mignonneau. Designing Interfaces for Interactive Artworks In KES 2000 Knowledge Based Engineering Systems, Conference Proceedings, , 80-84. Brighton: University of Brighton, 2000.
  • Museen der Stadt Dortmund, ed. vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund. Ostfildern-Ruit: Hatje Cantz, 2000.