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Eve Clone IV/V
2011
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2011
... it controls her head’s angle, and Eve Clone’s eyes will also
fol
low. it seems that the audience dialogues with huge “Eve Clone” in this...
How to
Fol
low Software Users
2012
...Manovich, Lev. How to
Fol
low Software Users http://manovich.net/index.php/projects/how-to-
fol
low-software-users.
Style Space: How to compare image sets and
fol
low their evolution
2011
...Manovich, Lev. Style Space: How to compare image sets and
fol
low their evolution http://manovich.net/index.php/projects/style-space.
How to
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low Global Digital Cultures, or Cultural Analytics for Beginners
2009
...Manovich, Lev. How to
Fol
low Global Digital Cultures, or Cultural Analytics for Beginners...
EDEN Echigo-Tsumari
2018
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2018
... the project can talk together across continents. Humans can
fol
low their communication through the interactive light installations...
RISIKO
2017
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2017
... in contrast, Europe creates both real and electronic walls.
Fol
lowing a chalk drawing of the contour of the Mediterranean, the...
Digitale Skulptur –
Fol
low the Unknown
2018
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2018
Eine Skulptur schwebt in einer digitalen Umgebung im Raum und verändert dabei ständig ihre Größe oder Oberflächenbeschaffenheit. Solch ein Bildwerk kann in der realen Welt mit ihren physikalischen Gegebenheiten nicht existieren. Diese Möglichkeiten
Featured Artist Diana Domingues
09/2023
Diana Domingues, a pioneering artist-engineer, scholar, and researcher from Brazil, has impacted and shaped the landscape of electronic art in Latin America. By bridging the realms of intangible culture and rituals within Latin American native
Featured Artist Sommerer and Mignonneau
04/2023
The two internationally renowned media artists and researchers based in Linz/Austria have been active as an artistic couple since the ‘90s and have especially pioneered in the field of interactive media art and exlporations of artificial life.
5 YEARS
1999
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1999
... hospital. The story is divided in different parts, which
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low each other in a random way. There are five pathways, but they...
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