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  • In the search for new forms of urbanity the influence of media technologies on the perception of and on the engagement with social constructed spaces becomes evident. Under the conditions of telecommunication, digital networks, distributed
  • Rejane Cantoni and Leonardo Crescenti based in São Paulo, have worked together as an artist duo since 2005. They have held numerous exhibitions in art institutions worldwide, including Ars Electronica in Linz, Berlin and México City, The Creators
  • Grau, Oliver and Sebastian Haller and Janina Hoth and Viola Rühse and Devon Schiller and Michaela Seiser. DOCUMENTING MEDIA ART: Towards a social WEB 2.0-Archive for MediaArtHistories and an integrative Bridging Thesaurus Tagungsband des Vereins
  • Grau, Oliver and Wendy Coones and Viola Rühse, ed. Museum and Archive on the Move. Changing Cultural Institutions in the Digital Era.. Berlin: De Gruyter, 2017.
  • Grau, Oliver and Sebastian Haller and Janina Hoth and Viola Rühse and Devon Schiller and Michaela Seiser. Documenting Media Art. An Archive and Bridging Thesaurus for MediaArtHistories Leonardo 52, no. 5 (2019): 435 - 441.
  • In this essay, media researcher and developer Tiago Martins provides insight into the development process of the mixed-reality archive AR[t]chive during a large research project. The HoloLens based application enables users to explore archived
  • Symbolizing a nation in decay and ruin, where media is all that is left of the corporeal remains of America. Where Empire runs its course. (source: http://www.zakros.com/projects/season/index.html)
  • Temple -
    Media:loudspeakers, amplifiers, telephone number Dimensions:24" x 20" x 20" Description: adaptation of the Delphi "Tholos" Temple Ruin. Electroacoustic Sculpture made of 3000 recycled loudspeakers, amplifiers and radios. Sound: white noise. People
  • In 2014, I was invited to exhibit Revelation of Eve Clone IV in “Raising the Temperature” at the Queens Museum of Arts, New York. The work presented Eve Clone being submerged by seawater in a ruin. The water was dyed red, like blood from the dead.
  • ADA Artist Interview with Lin Pey ChwenArchive of Digital ArtText & Interview by Alejandro Quiñoneshttps://www.digitalartarchive.at/features/featured-artists/featured-artist-lin-pey-chwenWhat are your current projects?I will continue working