Archive Search

... surprising and contradictory new forms. Over time ©Bots disrupt and dislodge entrenched memes, raising them to the conscious level where the host can control the impact of the meme in their lives. Figure 1 - Noxious memes enter an unsuspecting host through...

... into social psychology and group dynamics, actualized in corporate structure. It is a collaborative project on many levels, from the team of artists implementing it, to the actively participating audience attempting to gain shares in the body of...

... some of the buzzwords of our times. While we can argue that machine learning or AI, as it is called, might never reach the level of complexity and adaptability of the human brain, we do have to acknowledge that research in the field of Artificial...

... Berlot seems to understood that the original materials of laboratory devices and microscopes do not communicate yet at the level of visual art language – that the artistically coded techno image is a product of collaboration among several people with...

... "interactive" artowrks in the US. This project is a collaboration between myself and Christina Ulke, co-founder of c-level (now betalevel) in Chinatown, Los Angeles. It began as an parking booth sculpture: a memory of the booth on the empty lot of...

... are not collected but ‘bionts’ (a snot like form: designed as 'discrete units of living matter'). The bionts have a certain level of intelligence and are essential for the player to navigate their way through, not only the physical, but virtual world as well....

... turned on or off, where the result occurs relative to ones body, and so on. One implication even at the simplest electrical level is that one or the other state may be "hidden" at a given time, and may contain potential for revelatory, dangerous,...

... also the artworld itself, acoustics often take a subordinate role to the visuals. However, the eye can only attain a high level of awareness, or focus, to a narrow fraction of the space to which its attention is being attracted. The ear, on the other...

... same place in a concert one week before and takes from the cities of New York and London in 1998 and 1999. All the ground level area of the cultural center was occupied by the proposition. At the entrance door, outside facing the street, loud-speakers...

... lightweight architecture allowed the public to dynamically modulate the live performance of the music and add another level of immersive conjugation of the body, architecture and mediated manifestation to the cinematic discourse.