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Luc Courchesne
1999
Courchesne, Luc. Luc Courchesne In Rewind to the Future, edited by Anniele Pohlen and Petra Unnützer and Jo EckhardtBonn: Bonner Kunstverein, 1999.
La lumière et le visiteur
1992
Courchesne, Luc. La lumière et le visiteur In L´éclairage dans le institutions muséales, , 19-34. Quebec City: Museé de la civilisation and Sociéte des musées québécois, 1992.
William Kentridge: Tide Table
2004
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2004
Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
Valis, dispositif pour une narration éclatée
1987
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1988
Event: Valis, dispositif pour une narration éclatéeInstitution: Centre Georges PompidouComment:
Homes
2013
“Homes” is an interactive installation, which shows the exact, detailed virtual copy of the interior of three Tai O fishermen's family houses. The visitor can walk through, look around, and examine details of the interiors by using a simple computer
Featured Artist Andrés Burbano
03/2019
.. The wide spectrum of his research projects includes: media archaeology of Latin America, 3D-modelling of Photogrammetry technology and data-translation into digital media ..
Sauna01-02
2000
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2007
video
Sauna_01 #1, realized at the San Francisco Electronic Music Festival 2000, consists of a 10 x 14' enclosed room within which is positioned a 4 x 8' tank-a half cylinder resembling what Sponge termed a "cargo cult MRI chamber." The Sauna tube is
Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education
1994
Stafford, Barbara M.. Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education. Cambridge, MA: The MIT Press, 1994.
"WEIGHING…and WANTING"
1997
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1997
William Kentridge: WEIGHING…and WANTING is an installation of charcoal, pastel and gouache drawings and a film transferred to laser disk which is based on the drawings. Kentridge's homeland, South Africa, figures largely in his artwork, which
Esteban Garcia Bravo
Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
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