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  • Courchesne, Luc. Luc Courchesne In Rewind to the Future, edited by Anniele Pohlen and Petra Unnützer and Jo EckhardtBonn: Bonner Kunstverein, 1999.
  • Courchesne, Luc. La lumière et le visiteur In L´éclairage dans le institutions muséales, , 19-34. Quebec City: Museé de la civilisation and Sociéte des musées québécois, 1992.
  • Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
  • Event: Valis, dispositif pour une narration éclatéeInstitution: Centre Georges PompidouComment:
  • Homes
    “Homes” is an interactive installation, which shows the exact, detailed virtual copy of the interior of three Tai O fishermen's family houses. The visitor can walk through, look around, and examine details of the interiors by using a simple computer
  • .. The wide spectrum of his research projects includes: media archaeology of Latin America, 3D-modelling of Photogrammetry technology and data-translation into digital media ..
  • Sauna01-02 - video
    Sauna_01 #1, realized at the San Francisco Electronic Music Festival 2000, consists of a 10 x 14' enclosed room within which is positioned a 4 x 8' tank-a half cylinder resembling what Sponge termed a "cargo cult MRI chamber." The Sauna tube is
  • Stafford, Barbara M.. Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education. Cambridge, MA: The MIT Press, 1994.
  • William Kentridge: WEIGHING…and WANTING is an installation of charcoal, pastel and gouache drawings and a film transferred to laser disk which is based on the drawings. Kentridge's homeland, South Africa, figures largely in his artwork, which
  • Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless