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Lila Chitayat
Lila Chitayat is an architect, new media
arti
st and an experimental practitioner of design. She is a research based educator of multidisciplinary design processes and experience design.In 2002 Lila founded LinC studio, a transdisciplinary design
HIPPIE MODERNISM: THE STRUGGLE FOR UTOPIA
2015
Andrew Blauvelt, ed. HIPPIE MODERNISM: THE STRUGGLE FOR UTOPIA. Minnesota: Walker
Art
Center, 2015.
Audiovisual: Perspectivas de una entidad indivisible.
2015
Robles, Claudia. Audiovisual: Perspectivas de una entidad indivisible. IDEAS SONICAS, CMMAS , no. 14 (2015): 19 -23..
Eighty Seven Questions About
Arti
stic Research
2015
Caviezel, Flavia & Schwander, Markus and Pat Badani, ed. Eighty Seven Questions About
Arti
stic Research. Vol.ELIA Conference: Economies of aesthetics. https://issuu.com/swiss
arti
sticresearchnetwork/docs/170602_sarn_87-questions_epub_doppe th
Naturally Hypernatural
2015
Anker, Suzanne. Naturally Hypernatural Antennae: Naturally Hypernatural , no. 33 (2015): 6-18.
Liquid Views and the Unconscious Perception
2015
Fleischmann, Monika and Wolfgang Strauss. Liquid Views and the Unconscious Perception In Analyzing
Art,
Culture, and Design in the Digital Age, edited by Gianluca
DYNAMIC SPACES OF EXPERIENCE.ON THE
ART
OF MIROSŁAW ROGALA
2000
Kluszczynski, Ryszard W.. DYNAMIC SPACES OF EXPERIENCE. ON THE
ART
OF MIROSŁAW ROGALA https://www.academia.edu/4252004/Dynamic_Spaces_of_Experience._On_the_
Art_
of_Miroslaw_Rogala [28.01.2015].
Interaktion, P
arti
zipation, Vernetzung: Kunst und Telekommunikation
2004
Arns, Inke. Interaktion, P
arti
zipation, Vernetzung: Kunst und Telekommunikation http://www.medienkunstnetz.de/themen/medienkunst_im_ueberblick/kommunikation/5/ [18.08.2015].
The Brain As Site Specific Surveillant Performative Space
2015
Pearlman, Ellen. The Brain As Site Specific Surveillant Performative Space International Journal of Performance
Arts
and Digitial Media 11,Issue 2 (November 2015).
Raquel Herrera
I am PhD researcher, professor and translator based in Barcelona and specialized in Digital Cultural Communication, meaning both Digital Media Studies and Digital
Art
in their theoretical aspects. I have written two books on narration in Digital
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