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  • The Bush Soul: Artist Statement
    ...Allen, Rebecca. The Bush Soul: Artist Statement In Ars Electronica 99: Life Science, edited by Gerfried Stocker and Christine SchopfVienna, New York: Springer, 1999.
  • The Internal Organs of a Cyborg -
    ... identities collide in a hospital emergency room. The story is told in the form of a science-fiction-style comic strip using stock photographs from PhotoDisc's "Health and Medicine" and "Modern Technologies" archives. The user can scroll through the...
  • The Port -
    ...Image: The Port inauguration, Humlegården, Stockholm, 2005 — The Port is a community driven island inside the online 3D world Second Life. The island is open and accessible to Second Life’s 175 000 (Aug 2005) inhabitants and potentially to all Internet users. One...
  • Transgene Kunst
    ...Kac, Eduardo. Transgene Kunst In Ars Electronica 1999: LifeScience, edited by Christine Schöpf and Gerfried StockerWien, New York: Springer Verlag, 1999.
  • Transitional Spaces -
    ... This is followed by a text quote projected onto the screen. The quotes come from personals, news phrases and financial stock language that use or refer to literal or metaphorical expressions of transitional space. The background image is a still...
  • transmediale '98: Stocktaking Vision -
    ...For the first time in its history, the transmediale festival had a motto: STOCKTAKING VISION. The festival took stock of where television and all the new media have gotten us so far, and what they have given us.
  • Twenty Fragmentary Thoughts on Video Installation
    ...Huhtamo, Erkki. Twenty Fragmentary Thoughts on Video Installation In Interface: Nordic Video Art, edited by Pål Wrange, 18-23. Stockholm: Stiftelsen Nordisk Videokonst, 1990.
  • Ultima Ratio. Software und Interaktive Installation
    ... Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.
  • Uprising
    Stocker, Gerfried. Uprising In Genesis, edited by O. K. Center for Contemporary Art, 41-43. Linz: 1999.
  • Wave For Hokusai
    This work is a tribute to the Japanese artist Katsushika Hokusai, whose woodblock print "The Great Wave off Kanagawa" (c. 1829-32) is not only one of the most-recognized pieces of Japanese art, but is also appreciated by turbulence researchers as an
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