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  • Datenbank der Virtuellen Kunst
    Grau, Oliver. Datenbank der Virtuellen Kunst Kunstchronik 11 (2000).
  • Bildarchitektur - Zur Geschichte und Aktualität des bildlichen Illusionsraumes
    Grau, Oliver. Bildarchitektur - Zur Geschichte und Aktualität des bildlichen Illusionsraumes Arch+: Die Zeitschrift für Architektur und Städtebau , no. 149/150 (April 2000): 102-108.
  • Measures of Evolvability in Tierra
    Ray, Tom and Xu Chenmei. Measures of Evolvability in Tierra In Proceedings of the Fifth Int. Symposium on Artificial Life and Robotics (AROB 5th´00), edited by Masanori Sugisaka and Hiroshi TanakaOita, JP: 2000.
  • Dave Everitt
    Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. Around 2000 this produced two
  • Ryoji Ikeda
    Japan's leading electronic composer Ryoji Ikeda focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound itself. His work exploits sound's physical property, its causality with human perception and mathematical
  • Outoäly - Alien Intelligence
    Huhtamo, Erkki and Perttu Rastas, ed. Outoäly - Alien Intelligence. Helsinki: Kiasma Nykytaiteen museo - Museum of Contemporary Art, 2000.
  • Murmuring Fields oder ein Raum möbliert mit Daten
    Fleischmann, Monika and Wolfgang Strauss. Murmuring Fields oder ein Raum möbliert mit Daten In Medienökologie zwischen Sinnenreich und Cyberspace, edited by Wolfgang ZachariasMünchen: 2000.
  • The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet
    Goldberg, Ken, ed. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet. Cambridge, MA: MIT Press, 2000.
  • Pioneering a Digital Media Art Museum on the Web
    Hsin Hsin, Lin. Pioneering a Digital Media Art Museum on the Web Museum International 52, no. 1 (January-March 2000): 8-13.
  • Masaki Fujihata
    Masaki Fujihata is one of the pioneers of Japanese new media art, beginning his career working in video and digital imaging in the early 80s. As an early practitioner of the application of new technologies to the process of artmaking, he was one of
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