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Assmann, Peter. Über das Skulpturale in der Videoskulptur In Objekt : Video, Ausstellungskatalog, edited by Oberösterreichische LandesgalerieWeitra: Bibliothek der Provinz, 1996.

Zgonik, Nadja (ed.). Pojmovnik slovenske umetnosti po letu 2004: pojmi, gibanja, skupine, težnje . Ljubljana: RI – ALUO, Študentska založba (2009).

Skwarek, Mark. Augmented Reality Activism In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 3-30. Cham: Springer, 2014.

Volk, Denis and Nina (ed.) Sotelšek. Uršula Berlot: Imaginary Skyrmions. Krško Gallery 12. 5. – 18. 7. 2023, Krško: Cultural Centre Krško (2023).

UCL Environment Institute, ed. Data Soliloquies. London: Slade Press, 2010.

Boredomresearch. Real Snail Mail Slashdot Slashdot (Online) (June 2008).

Slater, Mel and Usoh Martin. Body Centered Interaction in Immersive Virtual Environments In Artificial Life and Virtual Reality, edited by Nadia Magnenat Thalmann, 125-148. New York: John Wiley and Sons Ltd., 1994.

Slater, Mel and Martin Usoh and A. Steed. Depth of Presence in Virtual Environments Presence: Teleoperators and Virtual Environments 3, no. 2 (1994): 130-144.

Kacunko, Slavko. Closed Circuit. Vol.1. ISBN 3-8325-0600-4, 1 th ed.Berlin: Logos Verlag, 2004.

Domjan, Alenka. Slika: Prehajanja/Painting: Transfigurations Celje: Zavod Celeia, Center of Contemporary Art (2009).