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  • Broeckmann, Andreas. On Software as Art Sarai Reader Shaping Technologies (2003): 215-218.
  • krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
  • Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
  • enSight 2006 -
    32 scientists from institutes around the world submitted images from their current work. You can see these images here. 11 British and American artists took up the challenge to dialogue with one of the scientists. The resulting work was exhibited in
  • A wrong city -
    Event: A wrong cityInstitution: Saraï-MedialabComment:
  • Alberto Saraiva. Poesia Visual. f10 th ed.Rio de Janeiro: Oi Futuro e Editora, 2003.
  • Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
  • Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen
  • Maharaj, Sarat. Unfinishable Sketch of an Object in 4D: Scenes of Artistic Research In Artistic Research, edited by Annette Balkema and Henk Slager, 50. Amsterdam, New York: Lier and Boog, 2004.