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  • On Sylvia Grace Borda's Camera Histories
    Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
  • On Sylvia Grace Borda's Camera Histories
    Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
  • Shirley Shor
    Part of an emerging generation of new media artists, Shirley Shor employs technological processes in the service of larger issues related to human experience and fine art. Shor creates real-time computer generated installations, and environments
  • Rewa Wright
    I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
  • Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983)
    Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring
  • Public Keys (Performance) -
    Event: Public Keys (Performance)Institution: San Francisco Camera WorksComment:
  • Camera Lucida
    Incubator (with Tao G. V. Sambolec)
  • Camera Histories -
    Event: Camera HistoriesInstitution: Street Level PhotoworksComment:
  • San Francisco Camera Works
  • Flip Your Wig (Perückt) - video
    Heroes are hard to find. The few, who are considered to be worth remembering, are placed somewhere, soon to be forgotten. In the obscurity of arterial roads and shaggy groves characters of bronze or stone wait to be recognised. Maybe they freeze in
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