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  • We Feel Fine is an exploration of human emotion on a global scale. Since August 2005, We Feel Fine has been harvesting human feelings from a large number of weblogs. Every few minutes, the system searches the world's newly posted blog entries for
  • VELHO, A. P. M and Diana Domingues and S. C VERMELHO and Lucena,Tiago. Saúde, Tecnologia e Ambiente: um relato de mobilização contra a dengue Ambiente & Sociedade 18 (2015): 10-20.
  • The medium of light transversing a space is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on
  • Exhibiting artists: Banz & Bowinkel, Tim Berresheim, darktaxa-project, Heather Dewey-Hagborg, Philipp Goldbach, Beate Gütschow, Spiros Hadjidjanos, Fabian Hesse & Mitra Wakil, Baron Lanteigne, Oliver Laric, Simon Lehner, Achim Mohné, Susan Morris,
  • Artists: Morehshin Allahyari (IRN/US), Scott Benesiinaabandan (CA), Matias Brunacci (ARG/DE), Yu Hong (CHN), Francois Knoetze (ZA), Erin Ko (US) and Jamie Martinez (COL/US) Curators: Tina Sauerlaender (DE), Peggy Schoenegge (DE), and Erandy Vergara
  • Faces in the Sky -
    Look to the clouds trying to image faces is a carefree game that everyone does. In Faces in the Sky the artificial intelligence of a computer try to do the same action through an algorithm made for search human faces inside photos. I submitted to
  • All Changes Saved -
    Tots els canvis s’han desat (All Changes Saved) Aram Bartholl, Clara Boj + Diego Díaz, Martin John Callanan, Olia Lialina, Kyle McDonald, Román Torre + Ángeles Angulo, Carlo Zanni Curated by Pau Waelder Casal Solleric, Palma (Spain) September 21,
  • Y straight forward? A city-tour guide of a different sort The human eye is an omnivore and so constantly feeding the corresponding brain cells with loads of information. Only later the important is segregated from the insignificant, but far more
  • AUDIOVISUAL POEM -
    AUDIOVISUAL POEM is a quadrophonic electroacoustic composition which has a fixed structure, but for which nevertheless some events can be changed in real-time, allowing for diverse possibilities through the performance. This changes are not casual
  • Artists: Nora Al-Badri & Jan Nikolai Nelles (DE), Jonas Blume (DE) Justine Emard (FR), Carla Gannis (US), Sofian Audry and Erin Gee (CAN), Liat Grayver (ISR/DE), Faith Holland (US), Tuomas A. Laitinen (FI), and William Latham (UK) Initiated and